Skip to main content

Logic Pro 9 now from the Mac App Store $ 199.99 (€ 149,99)

Screen+shot+2011-12-09+at+07.35.10
As expected, Apple moved its Logic Pro music production tool to the App Store. And the results are mostly what you’d expect. The biggest change is the price: Logic gets slashed to US$199.99, while MainStage gets a so-low-you-might-as-well-try-it $29.99 sticker price.
Wave editor Soundtrack Pro, removed from Final Cut Studio, is gone here, too. Lesser-known mastering tool WaveBurner gets the axe.
Logic Pro 9 is still Logic Pro 9. Today is a minor update that you can now download via the App Store if you choose. Logic Studio remains for sale through Apple in its boxed edition, but at two hundred bucks, the App Store version is the winner.


No Logic Pro X
If you were expecting Logic Pro X, my guess is, it’s just not done yet. I still expect the number ten to follow the number nine. (Amazing how that works.) I don’t expect Logic Pro X to produce the kind of disruption that Final Cut Pro X did, however. Logic already has a 64-bit infrastructure. Final Cut had an aging code base, deeply rooted in deprecated versions of QuickTime, that prompted Apple to do a ground-up rewrite. The initial results made people unusually unhappy, and perhaps justifiably so, but ground-up rewrites of software this complex tend to be ugly at first. There’s no reason to believe Logic will face a similar overhaul. Whatever Apple is doing, I’m in no rush; Logic is a deep program, and I’d rather wait for upgrades from everyone (note to all developers everywhere) than have serious production software rushed out before its time.
What is notable is MainStage: there are some welcome tweaks, and absurdly-cheap, standalone pricing that should get some attention.
MainStage
The real changes software-wise come in MainStage. For starters, if you don’t love Logic but want to try Apple’s live performance / instrument and effect rig, you can now do that. MainStage works standalone, and you even get all the Apple Loop sound content and sample-based instruments previously available in Logic Pro – Jam Packs and all, what once could have cost you hundreds of dollars is now thirty bucks. One thing I wondered about with the App Store was how Apple would handle distribution of all that content. They’ve thoughtfully allowed you to check off only the content you want to install, saving bandwidth and hard disk space if you don’t want everything.
MainStage 2.2 also delivers some new features for your $30. From the release notes, I spot a few highlights:
Now takes “full advantage” of Macs with four or more processor cores
New template picker, Assignments and Mappings view for streamlined screen and hardware control
Bigger interface elements
More MIDI control, SMF support for sending SysEx and other data when you make a patch change, block unwanted controller messages
Support for: Akai MPK25, Akai MPK49, Alesis Q25, Korg nanoKey2, Korg nanoKontrol2, Korg nanoPad2, updated M-Audio Axiom and Oxygen models, Novation Nocturn 25
There are also some bug fixes and improved ReWire support.
None of this is really earth-shaking in itself – though it’s nice to see those patch change additions for people with hardware rigs. But the big news here is that, with MainStage unbundled from Logic, it’s in a whole new product category. It could be a viable option for Mac owners wanting to control plug-ins and hardware from a streamlined setup, even if they’re not Logic fans. And that could open MainStage to new audiences using other DAWs. Years ago, I reviewed a similar app, Rax, now marketed by Audiofile Engineering. (At the time, it was developed by Plasq, now better known for Skitch, which they just sold successfully to Evernote.) I was disappointed that no one really picked up on the app.
The idea is great: make a simple, straightforward app that gets you actually playing instruments on your computer with minimum fuss. It still seems like a great idea, and perhaps now the time is right. Rax/MainStage shootout, anyone?
Bottom Line
Sometimes, it’s news that something isn’t news. For all the rumors that the App Store transition was going to be a big deal, I think for Logic users, it’s probably not. It could be a more convenient way to distribute Apple’s software. And it sure makes those days of giant Logic boxes and blue Emagic copy protection dongles seem distant, huh? But I don’t think the question is whether competitors will go to the App Store, specifically. I think the question will be more generally, when will we cease to see boxes of nothing but software in stores? It seems stores may continue to carry hardware bundles, but that software will get delivered, you know, on the Internet.


Comments

Popular posts from this blog

UAD Little Labs® Voice Of God - & - BOZ Digital Labs Bark of Dog (Bass Resonance Filters)

UAD - Little Labs® Voice Of God Bass Resonance Plug-In  A One-of-a-Kind “Magnifying Glass” for Low Frequencies — Emulated to Perfection for the UAD-2 Platform. Little Labs authenticated, UA-modeled bass resonance tool for drums, bass, vocals and more. Adds heft and precision to low-end source material — far beyond a simple EQ Easy two-knob operation for dialing in the target frequency and effect amount (amplitude) Two buttons dictate the center of the sweepable frequency range, 40 or 100 Hz, while pressing both buttons sets the center to 200 Hz. Dedicated “Flat” button allows for quick A/B comparison Requires a UAD-2 DSP Accelerator Card or Apollo Interface. http://www.uaudio.com BOZ Digital Labs - Bark Of Dog Bass Resonance Filter Bark of Dog is a bass resonance filter that lets you increase your low end without turning up the flab. I like to think of it as a way to boost the low end while still keeping it under control. While the controls are super simple, the effect ...

Sonnox Oxford Plugins also as 64 bit versions available

Sonnox Native 64-bit Support : Frequently Asked Questions 9th December 2011

Maselec EQ plug-in version by Acustica-Audio

Maselec EQ, excellent plug-in version by Acustica-Audio: Ivory IAE-2 OPERATION - Input & Output knobs control plug-in input and output gain. - The PRE-IN button enables (lamp ON) or bypasses (lamp OFF) the preamp stage of Ivory Eq. - BYPASS button sets to bypass the plug-in (lamp ON) ) or not-bypasses (lamp OFF) - Input Trim:  This knob sets the input level from -24dB to +24dB, and is used to control the signal level inside the eq, the output level is than automatically compensated by the same amount of gain. At the first execution of the plug-in, input is set to ensure that you feed an appropriate level from the first stage of your signal path to the final one. - INPUT – OUTPUT VU METER measure the input (upper meter) and output (lower meter) levels of the plug-in. Each band is controlled independently by an identical set of controls; sections are Low Frequency 1, Low Frequency 2, High Frequency 1 and High Frequency 2, each section has controls for: - Q - Freq...